rainbowbarnacle:

curlicuecal:

“but AO3 *wants* writers on their platform, writers are providing a service for them, that’s how they get content.”

no, they are PROVIDING you a platform. for your content. as a service to you.

please, please, please learn how the internet works.

the companies that WANT you on the platform are the companies that are SELLING YOU TO ADVERTISERS.

*Facebook* wants you on their platform. *Tumblr* wants you on their platform. *FF.net* wants you on their platform. You are Facebook’s product. Facebook is not a service to you. It is an incentive for you to give them eyes and data to sell. And the second your eyes and data stop being profitable they will toss you under the bus.

That’s why fans made AO3. So we had a space that was ours, that wasn’t profiting off of us, so we wouldn’t get sold out.

mottlemoth:

The best part of being a fanfiction writer is when you make friends with other fanfiction writers, who show you things they’re secretly working on before AO3 gets to read them. And you’re so excitedly happy for them and their beautiful secret project that it actually hurts a little. 

Fanfic: Collector’s Edition

plaidadder:

saathiray:

noctumsolis:

armoredsuperheavy:

I’ve always loved collecting books. I’ve got enough books that my friends make jokes about using stacks of books as furniture – not true, but close enough.  But there is one type of book that I’ve never been able to get my hands on: fanfiction and other independently written, underground work. Especially work with queer themes and/or erotica.

It’s frustrating that fanfiction isn’t generally publishable or sellable. It’s a shame that creators could spend months or years laboring over a phenomenal piece of work and never see a dime for it, never see it in print. So I finally hit on an idea, an attempt to thank the authors of these wonderful underground works, without wandering into legality issues.  I decided to learn how to make books. These books are not for sale and are gifts to the authors.

So I have been working on this for a couple of months and here are the first results. These are the very first books I have bound.

My guinea pigs:

Flyboys by @gefionne
Bad Things by @ellabesmirched

Step 1. Making bookbinding tools.  
I realized very quickly that I needed a sewing frame and a book press. If I were to order these things I would have spent anywhere from $150 – $500. Luckily my family likes to make things. So I enlisted my dad to help me make some simple tools. cost: $30 in materials and an afternoon.

Step 2. Typesetting.
Microsoft Word lets you print in “booklet” form, which allows you to create signatures from folded 8.5×11" paper.
Each book takes a half to a full day to format.

Step 3. Printing.
I am lucky enough to have a robust color laser printer at my disposal. Lightweight 20lb bond / 75gsm copy paper is what I used. This isn’t ideal for books, but it’s inexpensive, easy to procure, and doesn’t choke the laster printer.
Perhaps in the future I can do an edition on super thin Bible paper, if I can find a printer that will print on it.

Step 4. Folding, Punching.
Perhaps the most tedious part: Every sheet of paper must be folded individually. Then you assemble the signatures and use an awl to punch holes for sewing.  Flyboys was 888 pages, which means 222 sheets of paper to fold.

Step 5. Sewing the text block.
Now it’s time for tool #1, the sewing frame. This worked exactly as designed, holding the linen tapes steady while I sewed around them. A brick in a rag serves as a weight to hold the text block down while sewing.

Step 5. Gluing.
Once the text block is sewn, I glue the end papers to both sides. Then it goes into tool #2, the press, with the spine edge poking out. I glue the signatures together, then apply the headbands and mull as further reinforcement. I leave the book in the press overnight.

Step 6. Making the Case.
The case or cover. I’m making half-bound cases, which means there is fabric on the spine, but the boards are covered in decorative paper.

For Flyboys, I went with a “Hux’s hair and verdigris” theme of green cloth, copper printed paper and copper endpapers.

For Bad Things, I wanted murderous blood spatters. I ended up with black cloth, black and red marbled paper and red metallic endpapers.

Step 7. Assembly.
The most nerve-wracking step. This is where you glue the block to the case. One shot deal. If you do it crooked, the book is crooked forever. YIKES!
After you glue it, you put it in the press overnight again.

Step 8. Ex Libris.
I have a few old ex libris labels with Aubrey Beardsley art, I think that’s an appropriate choice to pair with the queer and sexy, so I am adding them inside the front endpapers in the traditional spot. An ex libris label is a traditional way to signify who the book belongs to.

Step 9. Make author squeal with glee.
My favorite step.

Again, these books are NOT FOR SALE.

Gods, it’s been an age since I did any bookbinding. It’s SO good to see somebody writing about doing a good job of it.

There’s a great book which I originally got from the library. I bought a copy by the time I returned it and left something extra for the next person who’d borrow it. I’d applied the techniques to a single signature booklet of instructions, of my own devising, for making a sewing frame.

Bind MY fics, friend!

Saving this for when I retire and can afford to bind the WOF books this way.

andhumanslovedstories:

throughshadow-to-the-edgeofnight:

andhumanslovedstories:

andhumanslovedstories:

andhumanslovedstories:

If your fic is 1000 words long, you can’t tag it slow burn. It’s not slow burn. That is a matchstick. And this is my personal bias here but if those motherfuckers you’re writing experience significant forward momentum in their relationship in under 5k words, then that is just a regular old burn. Slow burn should be borderline intolerable and a mistake to start reading at 2 in the morning.

If the fic doesn’t have multiple scenes where two people almost kiss but then don’t because of a contrived interruption that they are both grateful for and angry about, until the desperate reader is forced every other paragraph to mutter, “this is fucking ridiculous, this is bullshit, I’m so fucking mad, please update sooooooooooon,” then it isn’t a slow burn. It is a romance and that is a lovely thing but. Slow burns should feel like being set on fire unto your death but the tinder is people not kissing and the spark is people who don’t admit they love each other and the whole thing is. You know. Slow.

CORRECT

I once read a slow burn where the main pairing didn’t even speak to each other ontil 80k words in

This is the funniest fucking thing I’ve ever read and the only true slow burn fic

eerian-sadow:

durenjtmusings:

why-is-it-always-autumn:

why-is-it-always-autumn:

why-is-it-always-autumn:

why-is-it-always-autumn:

You know what I don’t get?  When fanfic authors apologize for long chapters.  It’s like?  You gave me bonus content, for free, and you’re sorry about it?  Bruh.  I have already named my firstborn after you.  Dude.

You know what else I don’t get?  When they apologize for short updates.  It’s like: look at these new words I gave you!  Sorry I didn’t give you even more free words.  Bro, that’s at least two words that I did not have yesterday.  For free.  Dude.  Thank you.

And another thing: when people drop out of nowhere with a surprise update and then apologize for it taking a while.  Like, dude, I wasn’t expecting anything, and you gave me words.  I thought this fic was abandoned, but wait: there’s more.  You just popped in and reminded me that this is a Good Fic that I should probably reread.  You made my goshdarn day.

Basically fanfic writers are under no obligation to publish anything so when they do update it’s always a net positive because the story is longer now, and I have something to read, so thank you so much to everyone who writes fic at whatever pace or quantity they want.

Explain to me how I can BOTH agree wholeheartedly with this a a reader…

AND

…really really need to hear this as a writer.

@why-is-it-always-autumn

As a writer, thank you. 💖