I fucking love the character that’s like. not really the villain. but definitely not a good guy I mean he’s on our side. but he’s definitely not morally upstanding.
Tag: fandom
my pet peeve are fic summaries with something deep and obscure that not only tell me nothing about the story but dont MEAN anything theyre just words like
‘When lost eyes lock onto a summer’s shadow, will love make it in the end?? [content warnings]: anal fisting ‘
“where did this weird trope even come from?”
well, statistically speaking, probably star trek
do you ever think of a pairing and you’re like “haha how would that even work” so you try and figure out how it would work and the more you think about it the more it makes sense and the more you like the dynamic? and then you’re stuck shipping this random ass ship and you have nothing to say for yourself except like, “oops”?
the three generations of fanfic:
livejournal, fanfiction.net and ao3
which one were you?I HAVE LITERALLY LIVED THROUGH ALL OF THEM WHAT THE FUCK DOES THAT SAY ABOUT ME
Oh bb there is so much more to it than that.
First there were zines, lovingly mimeographed and stapled by our fandom foreparents, and those who remain to us from the Zine Age are powerful and wise.
Then there was Usenet, where formatting went to die. You know not the strength it takes to read 60k fics entirely in Courier New, or the pleasure of a really artistic looking section break marker composed of ASCII characters.
Then there was the Great Schism, as fandoms spread far and wide across the Web, and basic HTML was the whole of the law. Many of us lied our way into private “18+” listservs, and roamed the webrings, lamps aloft, in search of one virtuous author (or at least somebody else who shipped the thing).
From this dark age rose FF.net, that pit of voles from whose bourn many a hungry reader has returned, starved for citrus and heartsick from the cutesy author notes.
And FF.net begat Livejournal, which allowed easy archiving, threaded comments, flocked posts and invite-only communities. And it was Livejournal, in its death throes, that begat AO3, which once seemed like only a utopian vision and now bestrides the world like a Colossus.
when ur thirsty for fic but you have quite fucking literally read every single quality fanfiction for the pairing
#there comes a time in every fandom#you have reached the last ao3 page#when the well has run dry#you look out at that barren plain#heave a sigh#go back to the first page#lower your standards#and start again (via archnemeton)
these are the truest fucking tags.
we have all known this painful lowering of standards.
ibelieveinthelittletreetopper:
It just kills me when writers create franchises where like 95% of the speaking roles are male, then get morally offended that all of the popular ships are gay. It’s like, what did they expect?
#friendly reminder that I once put my statistics degree to good use and did some calculations about ship ratios#and yes considering the gender ratios of characters#the prevalence of gay ships is completely predictable (via sarahtonin42)
I feel this is something that does often get overlooked in slash shipping, especially in articles that try to ‘explain’ the phenomena. No matter the show, movie or book, people are going to ship. When everyone is a dude and the well written relationships are all dudes, of course we’re gonna go for romance among the dudes because we have no other options.
Totally.
A lot of analyses propose that the overwhelming predominance of male/male ships over female/female and female/male ships in fandom reflects an unhealthy fetishisation of male homosexuality and a deep-seated self-hatred on the part of women in fandom. While it’s true that many fandoms certainly have issues gender-wise, that sort of analysis willfully overlooks a rather more obvious culprit.
Suppose, for the sake of argument, that we have a hypothetical media franchise with twelve recurring speaking roles, nine of which are male and three of which are female.
(Note that this is actually a bit better than average representaton-wise – female representation in popular media franchises is typicaly well below the 25% contemplated here.)
Assuming that any character can be shipped with any other without regard for age, gender, social position or prior relationship – and for simplicity excluding cloning, time travel and other “selfcest”-enabling scenarios – this yields the following (non-polyamorous) possibilities:
Possible F/F ships: 3
Possible F/M ships: 27
Possible M/M ships: 36TOTAL POSSIBLE SHIPS: 66
Thus, assuming – again, for the sake of simplicity – that every possible ship is about equally likely to appeal to any given fan, we’d reasonably expect about (36/66) = 55% of all shipping-related media to feature M/M pairings. No particular prejudice in favour of male characters and/or against female characters is necessary for us to get there.
The point is this: before we can conclude that representation in shipping is being skewed by fan prejudice, we have to ask how skewed it would be even in the absence of any particular prejudice on the part of the fans. Or, to put it another way, we have to ask ourselves: are we criticising women in fandom – and let’s be honest here, this type of criticism is almost exclusively directed at women – for creating a representation problem, or are we merely criticising them for failing to correct an existing one?
And these are the numbers without even taking into the effect plot allocations have on story appeal!
Beyond being categorized by recurring speaking roles, I’m pretty sure the numbers would look even more grim if one were to quantify plot importance and character agency and developments. Who are the leads? Who are the deeply developed characters? Who is provided with a wealth of character traits and backstory?
With that in mind, why is anyone surprised that people are, for instance, more compelled to write stories about Sherlock Holmes and John Watson, than they are Sherlock and the side character Molly? Or about Dean Winchester and angel of the Lord Castiel than Dean Winchester and the yoga teacher from a few episodes Lisa? Or Kirk and Spock rather than Kirk and random episode lady? That’s not internalized misogyny…that’s people preferring to write about characters with real meat.
I can never reblog this enough.
pros of long fics: well thought out, character development, builds relationships
cons of long fics: impending sense that something is going to go wrong at any moment
They’re together and happy, but there’s still ten chapters left.
a moment of silence for all the fanfiction lost to the ravages of time, unsalvageable even by the wayback machine, condemned to its final resting place in the deactivated archives of fansites for now-syndicated television shows
If you know what that hashtag means, you’re old as balls.
sometimes I look up to the sky and say, thank you lord jesus that nobody will ever be able to find my first fanfictions
when you’re reading fanfiction and that one character is just so OOC
